And Now..A Moment of Swagger

I have been a little overwhelmed by all these movies coming out this month, but I honestly, I've earned it! I've been busting my hump for two years, and this is the culmination of that work. Shout out to Malco's Studio on the Square. I have been in one movie that showed in January (The Importance of Being Russell), one movie currently showing (Divine Manipulation of the Threads), and two movies coming up (Just the Two of Us, What Goes Around). Honestly, they need to change the name of the place to Markus Studio On the Square. I'm just saying! Is it really bragging if you back it up?..Ponder that. Be easy, readers.

The Play, The Afterparty, the Room(Not What You Think)

Yesterday, we had a dress rehearsal for Waltzin' In Memphis. It was a little rough, but we pulled it off. We had to simplify some of the dance moves, but it looked better, in my opinion. The director said that he thought I was great and that he gave me little direction because I did not need a lot. That felt good. This play stuff is kinda different. I haven't done a play since my days as a Kaleidoscope Player at Fayette-Ware Comprehensive High School. Ware house, fool! Wildcats in this "junt" (joint)! Okay, back to articulation. After my rehearsal, I went to a party in celebration of Divine Manipulation of the Threads at Dish in the Cooper-Young area. Of course, actor/writer Bevan Bell (Delusions, Slow Down You're Dating Too Fast) was there, as was the rest of the Rusted Sun Films Crew: Brad Alsobrook, Anthony and Anita Howald, and Christine Connolly. Also, cast and crew members Dayna Hinkle, Arnold Edwards (director: Curbside Confessions), Chris Ross (Delusions), Forrest Pruett (Delusions, Forty Shades of Blue), Joseph Smith (The Visitor, Arrogant Dead People), Jon Sparks(Arrogant Dead People, Just the two of Us) ,Lavita Brooks (The Tank, What Goes Around), and Trent Dee (21 Grams, Just the Two of Us). My good friends Eric and Candace were there, as was Hardy McNeese (crew, Curbside Confessions) and my good friend Rodney Lomax happened to be there for another event. I chilled out, joked with my people, and celebrated a damn good movie. I make this expression that had everybody laughing in the film. Chris told me that his parents enjoyed the thugs. Hey, I aim to please!

Now, I have to focus on this play tonight. I'm a little nervous, but I'm ready. It's showtime, baby!! Be easy, readers.

There's Always a Hater

Okay, last night I am at rehearsals for Gridiron Association's Waltzing in Memphis, and this veteran tells me that I have no rhythm. On the real, she almost got cursed out! I don't do this old-school dancing on a regular basis. Plus, we started choreography on Sunday. It took everything in me not to go off on that woman. Everybody else has been cool, though. I try to be a nice guy, I try not to hurt anyone's feelings, I try to keep the arrogance at bay, you know, "chain the beast" and all that. But on the real, I am Markus Seaberry! She does not know who she's dealing with. That's cool, though. I will get the dance moves, I will knock 'em dead, this is what I do! Stage or set or crowd of any sort, I kick my shoes off, loosen up the belt, and make myself at home. It's what I do. Tonight is dress rehearsal. I will pull this off. Be easy, readers.

Plug Time!!!

Divine Manipulation of the Threads is still showing at Malco's Studio on the Square until April 6.
The trailer is at www.rustedsunfilms.com. The movie is 93 minutes, and the showtimes are at 1:20, 4:30, 7:35, 9:40. I play Clefty, a thug.

Just the Two of Us will have a third screening at Malco's Studio on the Square on April 3 at 7:00 PM. It is a touching film about the relationship between a father and daughter. I play Michael, a mentally challenged patient. Admission is $8.00.

What Goes Around, my first independent film, is coming out! This movie focuses on a guy named Talal who breaks up with his girlfriend Marie, only to get involved with a crazy girl (Angela) and her jealous ex-boyfriend, Big T. It's a delightful, funny film about love and breakups and the drama that follow. I play the Film Geek. It is showing at Malco's Studio on the Square on April 6 at 9PM. Admission is $5.00.

I am grateful for any support I can get. Thank you.

Countdown for Just the Two of Us's next screening: 4 Days and Counting!
Countdown for What Goes Around's next screening: 7 Days and Counting!

When Markus Seaberry is in your Production, It's Not Just a Movie, It's a Movement!!

Markus Month is Extended!

I hate to sound like it's all about me , but my two years of hustling in the independent film game is finally starting to bear fruit. First of all, Divine Manipulation of the Threads (www.rustedsunfilms.com) has had it's run at Malco's Studio on the Square extended until April 6. The movie is a heist film, it runs 93 minutes, and the showtimes are at:
1;20, 4:30, 7:35, 9:40

Also, Just the Two of Us has another screening at 7 PM at Malco's Studio on the Square on Monday, April 3. It was written and directed by Keenon Nikita (The Parkers, Poor and the Hungry) and the director of photography is Rod Pitts, director of Imagine, which won the Lil' Film Fest and is guaranteed entry into the Indie Memphis Film Festival. The film was made in Memphis using motly local actors and NO BUDGET. The film centers on the relationship between Nic Peeples (played by Keenon Nikita) and his daughter Ashley. It is a heartwarming, touching tale that the whole family will enjoy. For compete cast and crew listing, go to this link:

http://pittstopproductions.com/j2u.html

Just the Two of Us: When Love is everywhere but where you look
A Dog Day Entertainment Production in association with Pittstop Production
Pittstop Production, the future of filmmaking: www.pittstopproductions.com

Please support these events

I Gotta Start Stretching

We are in the home stretch for rehearsals for "Waltzing in Memphis", the political satire that the Memphis Gridiron Association is performing. I know my lines, I just have to remember to make my voices and mannerisms distinct, know where I come in at, and now, chorography and dances. It's crazy. They worked us yesterday. I felt like I was on Fame. All I needed was Debbie Allen to appear saying, "You got big dreams, you want fame, well, fame costs, and right here is where you start paying, in sweat". My 80s kids know what I'm talking about. I was dog tired last night. I have got to stretch tonight. It's crazy. It should be fun, though. I am portraying Willie Herenton, Ricky Peete, Robert Lipscomb, John Ford, and a zombie. I also have two solo parts in group songs. And, well, I guess I can tell you this...today, I had to buy some black tights. This has been an experience. I never thought I would ever make statements like, "Crap, I need to buy my tights!" Somewhere in the recesses of my mind, I figured that if I did wear tights, I'd be a superhero, Power Ranger, or a swashbuckler or something. No, I'm wearing tights to play Ricky Peete. Every day is a winding road, indeed. Oh, well, I hope to "break a leg", and I pray I don't "pull a hamstring". Be easy, readers.

A Divine Screening

Last night, I attended the 7:35 screening of Divine Manipulation of the Threads. My good friend Paul Briggs accompanied me. Other cast and crew members in attendance included Jon Sparks (Delusions, Just the Two of Us), Sarah Ewell (Mail Call, Just the Two of Us), Jeanette Comans (Shutter, Walk the Line), Joseph Smith (Glorious Mail, Arrogant Dead People), Lina Fritsche (Slow Down You're Dating Too Fast), Scarlett Williams (Shutter), Arnold Edwards (director, Curbside Confessions), Dayna Hinkle, Christin Ackerman (Delusions, Chosen), Melissa Peck (Slow Down), Christine Connolly, Anthony Howald, Brad Alsobrook, Anita Howald, Muck Sticky (Delusions), and others. It was a funny film, nice pacing, and lots of witty dialogue. There was also a pretty snazzy musical number. It was cool to see it all come together. Shout out to Lin Workman, John Pickle (Pickle TV, The Importance of Being Russell), Brad Weatherly and the Old School Pictures gang (Act One, Hustled), and any other filmmakers who checked us out. I was also shocked to learn that my character's name was Clefty. It's odd, but I kind of like it. We all headed over to Celtic Crossing after the movie. It was cool. I chilled out. I will try to make the afterparty at Dish on Thursday, but for now, my mind is on these rehearsals for Waltzing in Memphis. I've gotta get these dance moves and songs right. If you want to see Divine Manipulations, these are the showtimes until March 30: 1:20, 4:30, 7:35, 9:40. The running time is 93 minutes.

Monday, April 3:

Just the Two of Us will have a showing at Malco's Studio on the Square at 7 PM. It will be a shorter, technically superior version of the previous showing. Please support.

Off Days: What are Those: Another Infamous Weekend Wrap-Up

Friday:
I chilled with Keenon and Rod for a minute while they were editing Just the Two of Us. There will be another showing of Keenon and Rod's masterpiece on April 3 at 7 PM at Studio on the Square. Later, Rod and I met Derrick Engleberg, the lead in Spin Cycle, at Nappi by Nature. Nappi By Nature, on Winchester, is a barber and natural hair shop owned and operated by Powwah and Phuchah. They are a married couple. Powwah is also a very powerful spoken word poet and clothing designer. Phuchah makes hats, bags, and sings in two bands, Finga Pop and Potlikor. They are real DIY-type people. Powwah cut Derrick's hair because Rod wanted his character to have a haircut for the rest of the movie. Derrick began growing his dreads for spiritual reasons, but agreed to the cut for the good of the movie. I feel like that was an unwritten agreement between Rod and Derrick. Now, we all HAVE to play our part. It was interesting to watch. Rod documented the experience because he wants to document the entire Spin Cycle experience. After that, we called it a night.

Saturday:

First, I attended Gridiron Reharsal for the play "Waltzing In Memphis". I felt like I had a good rehearsal. Next, I picked up Keenon Nikita (Poor and Hungry, director: Just the Two of Us) and we attended the Lil'Film Fest at the Media Co-Op. It was sponsored by Live From Memphis, which is a website that has comprehensive news on music, film, and the arts in Memphis (www.LiveFromMemphis.com). Filmmakers Sarah Fleming and Chris Reyes are the principal coordinators for Live From Memphis/ Also in attendance was Morgan Fox (Dollars and Signs, Blue Citrus Hearts), filmmaker Edward Phillips (Grim Sweeper), John Pickle (Pickle TV, Importance of Being Russell), Location scout David Merrill (Black Snake Moan), and my fellow cast and crew for Arrogant Dead People: Jon Sparks (www.jonwsparks.blogspot.com), Jen Morris (Delusions, Divine Manipulation of the Threads), Travis Stone (Ray, Divine Manipulation), Ms. Sparks, and Joseph Smith (Delusions, Divine Manipulations). Others on hand were Lina Fritsche (Delusions, Divine Manipulations), Carole Rowland (Mail Call, Oz's Lion), Lavita Brooks (Divine Manipulations, Survivor), and my fellow castmate from Imagine, Morris Chism (Imagine, The Tank). Rod Pitts' short Imagine wound up winning. Everybody started leaving before the votes were counted. I told LaVita that I wanted to be there in case Rod won. I got up, took the $100 dollar prize from Sarah, and made a short speech. Some of the other filmmakers were telling me that they would get us next time. That's the attitude I want them to have! Let's step our games up! Keenon, LaVita and I went to Rod's job and presented him with the money and congratulated him. Not only did Rod get money (which he will spend on film equipment), but Imagine is automatically entered into the Indie Memphis Film Festival in
October. Shout out to Rod and my Pittstop Productions family: Morris, Learyn Wilde (Survivor, Just the Two of Us), Jason Dancy (Survivor, Just the Two of Us), April Hale (Survivor, Just the Two of Us), and Shantrece of Memphis 10s (www.memphis10s.com). I played The Spectre, a death-like character. I didn't speak, and I wore a skull mask. I spoke in Arrogant Dead People, and it didn't win. I am happy for Rod, he's my film mentor, big brother type figure, all-around decent dude. It just bruised the ego a little bit that I couldn't win for the one that I'm seen and talking in. Shout out to my parents, Lillian and Crossett McGhee, for attending. They each voted for one of my films. Love ya, parents! Shout out also to Lin Workman, creator of the comic Bushi Tales, and the creator of Muley the Mule, Kevin. They had a funny short where the Muley character was playing Clark Kent and Superman. They also know actor/comic book creator Martheus Antone Wade (www.toshigawa.com).

Later, Rod, Keenon, and I had our "victory celebration" at Yum's. Hey, we're independent filmmakers. No champagne this time. Keenon got on me about not hustiling enough. He thinks I should do something with my spoken word/hip-hop ability. He's right. I'm just not the best multitasker. After dropping off Keenon, Rod and I went over Derrick Engelberg's house and shot a scene for Spin Cycle. Rod, Derrick, and Andrea, a newcomer, shot in a tight space, so my sound skills were not needed. I sat and watched the Soul Train Awards. I felt pretty useless, and a little jealous. I want to be a lead! I want to do scenes opposite cute girls! Maybe some day. We called it a day after that.

Sunday:

Rod had planned to include me in Memphis 10s shoot, but Shantrece vetoed him because the girls would be in their "unmentionables". So, I waited in the car while Rod showed her how to work his camera. Again, feeling useless. At least the sky was pretty. Afterwards, we met at the U of M law building to shoot scenes for Spin Cycle. He mainly shot with Javon Jackson (Divine Manipulation) and Derrick. We found someone to play a psychiatrist and I played my Film Geek character as a patient. Again, I didn't speak. At least I did fake like I was crying. Yay. Rod got a brotha feelin' like Charlie Chaplin around here. Later, we shot at Billiards on Highland, and were joined by April Hale, her brother who raps under the name Buckwild, and Nataki Caver (Just the Two of Us, What Goes Around). It was a good day of shooting, and I did my thing as a soundman. It's hard doing sound when you're an actor, though. I was jealous! Eric and Jovan got to dress nice and were opposite beautiful women. Again, I wonder what that's like. Around 4PM, I left location and drove to my side of town for choreography and song rehearsal for Waltzing in Memphis. I really need to learn these songs and the choreography!

Tonight, I'm playing hooky from play rehearsal to attend the premiere of Divine Manipulation of the Threads. It starts showing today around 1:30, but most of the cast is attending the 7:35 showing tonight. This should be cool! It's showing from March 27-March 30 at Studio on the Square. That's just pretty cool for an indie film! It should be a celebration. Be easy, readers.

Play Time

Last night, I and a few of the more dedicated Gridiron members had a song rehearsal for Waltzing in Memphis. It was cool. We found out that the University of Memphis Tigers beat Bradley (Hell yeah!). I was too tired to go to the Poison Dialect show. Actor Trent Dee (Just the Two of Us, Divine Manipulation of the Threads) called and told me that he is doing extra work for the F/X pilot being shot in Memphis, Southern Comfort. That's cool. Always glad to see my people doin' the damn thang!

Shout out to the Memphis Tigers again for the victory over Bradley and for the article in yesterday's USA Today. For all those haters who said that Memphis would be the first no. 1 seed to leave the tournament and that C-USA is a soft conference: Hah! Duke's at home, and we're still in it. How 'bout that? Three words, people: Respect our fresh! Tigers, baby!! You don't wanna mess with us!

Finally, don't forget to support local Memphis group Free Sol as they compete against other bands in an MTV2 contest. Here is the link:

http://mtv2ontherise.mcsqd.com/popup.html?affiliate

Looking forward to play rehearsals, the Lil' Film Fest, and helping out Rod Pitts (www.pittstopproductions.com) on Spin Cycle. Gotta keep hustling! Be easy, readers.

P.S: Scroll down and see the rest of my March events. And remember, when Markus Seaberry is in your production, it's not just a movie, it's a movement!!!!!!

Countdown to Lil' Film Fest: 1 Day and Counting

One Big Blog Family

Shout out to Rachel at www.pulpfaction.org . She has a link to my blog on her site, and she also posted a link to my first rant about Three Six Mafia performing at the Oscars. It's amazing what you can find when you google yourself. I am very appreciative, Rachel. See ya at the next Bloggers Bash!

Another Night of Karaoke

Went to Grand Station with Candace, Eric, Jamie, Dory, Heather, and others. I sang "Smooth" by Carlos Santana and Rob Thomas. I also sang "Every Morning" by Sugar Ray. We did a conga line when the karaoke DJ, Nancy, performed "C'mon Shake Your Body (Do the Conga)" by Miami Sound Machine. There was lots of other drunken revelry. Not by me, I'm too square. It was interesting to watch, though. Boy, that Jamie is an amusing drunk. These two guys also performed "Man of Constant Sorrow" from Oh, Brother, Where Art Thou? They rocked.


Tonight, I have rehearsal for Waltzing in Memphis (the political satire of the year), and afterwards I plan to support hip-hop group Poisonous Dialects in their show. Here are the details:

Poisonous Dialects (www.myspace.com/poisondie) have a hip-hop show TONIGHT March 23 at the Hi-Tone on Poplar. The admission is $5.oo and the showtime is I believe 10 PM. Other acts include, Seance, Jaec the Wreckuh, Cosmo, and the Tru-Head B-Boy Camp (that's breakers, ladies and gents)

Plug Time!!!

March 25:

* Saturday March 25 2 p.m. - the First ever LIVE FROM MEMPHIS LIL' FILM FESTIVALLive From Memphis is pleased to present its first ever theme-based, mini-festival LIL' FILM FEST!! "What is Lil' Film Fest?" you ask. Well, there's always something weird, strange, unusual, funny, or at least interesting happening around town, so we figured, Why not turn those happenings into lil' films? This first ever Lil Film Fest theme is: Baptist Hospital Implosion. Visit LIVE FROM MEMPHIS regularly

Location:MeDiA Co-op: 1000 S. Cooper Memphis, TN 38104 901-278-9077 (in the basement of First Congo Prebyterian Church)


I will be in two shorts, Arrogant Dead People, directed by Jon Sparks (http://www.jonwsparks.blogspot.com/), and Imagine, directed by Rod Pitts (www.pittstoproductions.com)

March 27- March 30

"Divine Manipulation of the Threads" will premiere at Malco's Studio on the Square with a limited run from March 27-30 (two matinees and two evening shows each day). It's by Rusted Sun Productions ( http://www.rustedsunfilms.com/ ), starring Bevan Bell and directed by Anthony Howald.

I play a thug in this one. It's a good film! I plan to be there on March 27 for all the people that want to see the movie with me.

Here are the showtimes:

1:20pm, 4:30pm, 7:35pm, 9:40pm
Length:93 minutes

March 31-April 1:

The Gridiron Association (http://www.memphisgridironshow.com/) presents their annual political satire production. The title of this year's production is "Waltzing In Memphis". Come for a night of fun-filled political sketches and witty musical numbers. The performances will be at the Al Chymia Shrine Center, 5770 Shelby Oaks Drive, Bartlett, TN 38134

March 31 show admission: $15.00, start time: 6:30 PM

April 1 show admission: $60.00, which includes:

Cocktails: 6 PM
Dinner:7 PM
Show: 8 PM

I portray John Ford, Robert Lipscomb, Mayor Willie Herenton, and Rickey Peete, and a zombie. It should be fun!

Countdown to Lil' Film Fest (Arrogant Dead People and Imagine Premiere): 2 Days and Counting!!!

Acknowledgements and Promotions

First of all, shout out to Bevan Bell and the gang at Rusted Sun Films (www.rustedsunfilms.com) for putting my name on the Divine Manipulation of the Threads poster. I don't have a lot of lines, so I really appreciate that. Also, shout out to Jon Sparks for the Arrogant Dead People poster. I am on the poster, as well as my name. I am not the only name on these posters, but I am just very grateful. I have never had my name on posters, I think it's cool. You can catch a glimpse of the ADP poster at www.jonwsparks.blogspot.com. This is an exciting month!

Shout out to hip-hop group Poisonous Dialects (www.myspace.com/poisondie) who have invited me to a show on Thursday, March 23 at the Hi-Tone on Poplar. The admission is $5.oo and the showtime is 8:00 PM

Also, please support the local Memphis group Free Sol (www.myspace.com/freesol, www.freesol.net). They are in a contest sponsored by MTV2. Here's the link:

http://mtv2ontherise.mcsqd.com?affiliate=timewarnermemphis&page=profile&band_id=12

Copy and paste that into your browser, ignore the zip code request, and go for it! You can vote several times. Let's support our hometown talent.


Plug Time!!!!!

March 25:

* Saturday March 25 2 p.m. - the First ever LIVE FROM MEMPHIS LIL' FILM FESTIVALLive From Memphis is pleased to present its first ever theme-based, mini-festival LIL' FILM FEST!! "What is Lil' Film Fest?" you ask. Well, there's always something weird, strange, unusual, funny, or at least interesting happening around town, so we figured, Why not turn those happenings into lil' films? This first ever Lil Film Fest theme is: Baptist Hospital Implosion. Visit LIVE FROM MEMPHIS regularly

Location:MeDiA Co-op: 1000 S. Cooper Memphis, TN 38104 901-278-9077 (in the basement of First Congo Prebyterian Church)

I will be in two shorts, Arrogant Dead People, directed by Jon Sparks (http://www.jonwsparks.blogspot.com/), and Imagine, directed by Rod Pitts (www.pittstoproductions.com)

March 27- March 30

"Divine Manipulation of the Threads" will premiere at Malco's Studio on the Square with a limited run from March 27-30 (two matinees and two evening shows each day). It's by Rusted Sun Productions ( http://www.rustedsunfilms.com/ ), starring Bevan Bell and directed by Anthony Howald.

I play a thug in this one. It's a good film! I plan to be there on March 27 for all the people that want to see the movie with me.

March 31-April 1:

The Gridiron Association (http://www.memphisgridironshow.com/) presents their annual political satire production. The title of this year's production is "Waltzing In Memphis". Come for a night of fun-filled political sketches and witty musical numbers. The performances will be at the Al Chymia Shrine Center, 5770 Shelby Oaks Drive, Bartlett, TN 38134

March 31 show admission: $15.00, start time: 6:30 PM

April 1 show admission: $60.00, which includes:

Cocktails – 6:00PM
Dinner- 7:00 PM
Show- 8:00 PM

I portray John Ford, Robert Lipscomb, Mayor Willie Herenton, and Rickey Peete, and a zombie. It should be fun!

Countdown to Lil' Film Fest (Premiere of Arrogant Dead People and Imagine): 4 Days and Counting!!

Retrace My Steps: Thursday Plus the Weekend Wrap-Up

Thursday:
I took off work, I got kinda fly, I got a haircut to knock down my wild fro (still haven't shot that scene in Spin Cycle, folks) and I invite a truckload of people. Well, technical difficulties cause the shoot to be postponed until Friday. Many people were disgruntled, and I understand. My Aunt Mary was a little perturbed as well. Keenon Nikita (director, Just the Two of Us) shows up and explains the situation and decided that the afterparty at Isaac Hayes is now a preparty. Shout out to Glenda Pannell (Jordan, Just the Two of Us), Sharon Bishop (Ms. Peeples, Just the Two of Us), Elena LaRue (Southern Comfort), Juan Corrigan (Delusions, Mail Call), John Fuess (director, Mail Call), actress Madeleine Rogers, David Merrill (Location Scout: Walk The Line, Black Snake Moan), Jovan Jackson (White Party Guest, Just the Two of Us), Ruth Williams(Camille, Just the Two of Us), and all the people who came out to the festivities.

Friday:
Finally! Just the Two of Us has two showings: at 5:00 PM and at 7:30 PM. My mom Lillian McGhee makes it to the first showing, as does cast member John Still (Shutter, Hustle and Flow), and Selina and Hannah, the two girls who portrayed Keenon's daughter. At the 7:30 show, you had me, Learyn (Imagine, The Survivor), Jason Dancey (The Survivor, Imagine), Angela Williams (Grim Sweeper, extra: Black Snake Moan), her mom and sister, who were also extras in the movie, Travis Stone (Patrick, Just the Two of Us), April Hale (Amanda), Trent Dee (extra:Just the Two of Us, 21 Grams), Jon Sparks (Doctor: Just the Two of Us), Sarah Ewell (Maxine Wolfe: Just the Two of Us), Alexis Moore (Casey), Elishah Walls (Willie), Lavita Brooks (Nurse Kay), Fred "Hollywood" Moore (J. Night), Antonio Perry (Shueford), Jason Dancy (Grover), Learyn Wilde (Lisa), Clint Deveroux (Shawn Willis), Lee Mauney (Mr. Johnson), Annette Smith (Aunt Helen), and Millie Gavin (Cora Mae). We all got to say our name and tell what part we played. Way cool! Of course, director/writer/lead actor Keenon Nikita (Nic Peeples) addressed the crowd. Shout out to Director of Photography Rod Pitts, who was fresh in that suit. I thought Rod was being audited or something. People seemed to enjoy the movie. It was fun. Rod and Keenon will get some much-deserved sleep, correct the technical problems, and ship that baby off to some festivals.
Afterwards, Rod, Keenon, and his family members had a post-premiere "celebration" at the Perkins on Poplar. Hey, we are still independent! One person walked up to Keenon after the premiere ended with tears in his eyes and said, "Keenon, you made a grown man cry!" He then embraced Keenon. Moments like that make all the craziness, frustration, and stressful days worth it. I think the movie will touch people and hopefully give my people some exposure.

Saturday:
I rehearsed for the play Waltzing in Memphis. It was cool. I went to Perkins and that was about it. I guess I hadn't recovered from the past few days.

Sunday:
We attempted to rehearse for Waltzing in Memphis, but there was a group of people watching the game in the sports club that doubles as our rehearsal space. Went home, watched the University of Memphis Tigers take Buckman to school (Take that, nonbelieving sports journalists). I just have three words for all the doubters and haters: Respect our fresh! Or, if you will, repect our greatness. Bryan Newcomb (Mail Call, Just the Two of Us) and I cruised Oak Court Mall. He bought a pink shirt, and it looked...kinda cool. I'm not fooling with the pink, though. I did buy a black polo-style shirt with purple and white strioes for $4.99. What a bargain! I also went to the beauty supply store owned by Asians yet again because I lost a brush (yet again). My brush did not cost enough for them to use my debit card, so I wound up buying a bootleg of Dwele's album Subject. I felt guilty, but I didn't own the album, so I had to buy something. Later on, I stuffed my face at Cici's Pizza (my doctor's gonna rip me a new one). Next, I saw Chicken Little at the Bartlett 10. It was a cool little cartoon. I could sympathize with Chicken Little's unpopularity. Boy, could I ever! It was touching, cute, humorous and well worth my $2.50. My last stop of the evening was the Bel-Air Bar and Grill for karaoke with Ricky Mac, who also does a Thursday show at Flashback's. I performed Bobby Caldwell's "What You Won't Do For Love" and De La Soul's "Me,Myself, and I". I never knew that my favorite rap group had any karaoke songs. I had to perform it!

Today, I received my check for my extra work on Southern Comfort. It's nice to get paid every once and a while for this show business work. Also, this just in : John Pickle and Paradox Productions' The Importance of Being Russell (featuring me in a small role) has been selected for the New York Independent Film Festival in May. How cool is that? I wish I could go, but I don't have any time saved up at work. Also, by May I should be in high gear on Arnold Edward II's brilliant film Curbside Confessions. Oh, well, hopefully we can all get some exposure. Daddy wants a new pair of shoes! Be easy, readers.

Plug Time!

March 25:

* Saturday March 25 2 p.m. - the First ever LIVE FROM MEMPHIS LIL' FILM FESTIVALLive From Memphis is pleased to present its first ever theme-based, mini-festival LIL' FILM FEST!! "What is Lil' Film Fest?" you ask. Well, there's always something weird, strange, unusual, funny, or at least interesting happening around town, so we figured, Why not turn those happenings into lil' films? This first ever Lil Film Fest theme is: Baptist Hospital Implosion. Visit LIVE FROM MEMPHIS regularly

Location:MeDiA Co-op: 1000 S. Cooper Memphis, TN 38104 901-278-9077 (in the basement of First Congo Prebyterian Church)

I will be in two shorts, Arrogant Dead People, directed by Jon Sparks (http://www.jonwsparks.blogspot.com/), and Imagine, directed by Rod Pitts (www.pittstoproductions.com)

March 27- March 30:

"Divine Manipulation of the Threads" will premiere at Malco's Studio on the Square with a limited run from March 27-30 (two matinees and two evening shows each day). It's by Rusted Sun Productions ( www.rustedsunfilms.com ), starring Bevan Bell and directed by Anthony Howald.

I play a thug in this one. It's a good film! I plan to be there on March 27 for all the people that want to see the movie with me.

March 31-April 1:

The Gridiron Association (http://www.memphisgridironshow.com/) presents their annual political satire production. The title of this year's production is "Waltzing In Memphis". Come for a night of fun-filled political sketches and witty musical numbers. The performances will be at the Al Chymia Shrine Center, 5770 Shelby Oaks Drive, Bartlett, TN 38134

March 31 show admission: $15.00, start time: 6:30 PM

April 1 show admission: $60.00, which includes:

Cocktails – 6:00 PM
Dinner-7:00 PM
Show-8:00 PM

I portray John Ford, Robert Lipscomb, Mayor Willie Herenton, and Rickey Peete, and a zombie. It should be fun!

Countdown to Lil' Film Fest (Premiere of Arrogant Dead People and Imagine): 5 Days and Counting!!

Mail Call: The Little Screening That Could

We had a cast/crew/chosen few screening of Mail Call last night. Several of the actors were there: myself, Carole Rowland (Oz's Lion, Slow Down You're Dating Too Fast), Tayloe Nicky (Third Wheel Date), Lauren Shepard (Delusions, Slow Down), Sarah Ewell (Delusions, Shutter), Juan Corrigan (The Garden, Delusions), Lee Mauney (Delusions, The Garden) and the writer/producer/codirector John Fuess (director Vineet Thapar was unable to attend). Production assistant/superphotographer Tommy Kha (Ants in an Ant Farm, Just the Two of Us) was there, as was director Morgan Fox (Blue Citrus Hearts). Writer/actor Jon Sparks (www.jonwsparks.blogspot.com) was also in attendance, as was location scout David Merrill (Walk The Line, Black Snake Moan), Tim Scalia (director:Ants in an Ant Farm, Last Call Lovin') and his producer, Chris.

The movie was pretty good. A great first effort by John Fuess. I think everyone in the cast had their moments. I was a little disappointed that my ad-libs did not get bigger laughs, but, hey, that's show business. Later, we hung out at Cafe Ole. Even later, several of us reconvened over photographer Janeen Gardner's house (www.vivideyeproductions.net). How her husband and child slept through our rumblings, I'll never know. Some drank, some smoked, I just chilled out. Had some interesting movie conversations, had some interesting race conversations. My t-shirt of slain rapper Notorious BIG sparked a few conversations. I do what I can. Overall, it was a very interesting evening and only the first premiere in March, or as I like to call it, the month of Markus. I know what you're thinking, "What's the next great event in this, the month of Markus?" I shall tell you, dear readers. But first, we must build suspense.....


Wait for it.....

here it comes......


Plug Time!!!!

Please come out to the Muvico Theatres on Thursday, March 16 for the premiere screening of "Just the Two of Us". This movie was shot here in Memphis and was directed by Memphis native Keenon Nikita, who was in Craig Brewer's film "The Poor and the Hungry". The Director of Photography was Rod Pitts, another local up and coming filmmaker (http://www.pittstopproductions.com/). I handled sound and lighting and I play Michael, a mentally challenged character. The film centers on the relationship between Keenon's character, Nic Peeples and his daughter, Ashley. It is a heartwarming, touching, funny film made here in Memphis with several Memphis actors. Please support this film. Again, the date is Thursday, March 16 at the Muvico Theatres downtown at Peabody Place. The movie starts at 7:30. There will be an afterparty at Isaac Hayes' immediately following the screening. The cast and crew of Dog Day Entertainment would love to see you there.

Countdown to Just the Two of Us Premiere:
1 Day and Counting!!!

Oh, yeah, before I forget...Be easy, readers.

More Just the Two of Us news

On March 16, Keenon Nikita will be a guest on "The Bev Johnson Show" on WDIA (1070 on the AM dial) from 10 AM-11AM to talk about Just the Two of Us, the movie he wrote, directed, and starred in.

Later on that evening, is the premiere:

Plug Time!!!!

Please come out to the Muvico Theatres on Thursday, March 16 for the premiere screening of "Just the Two of Us". This movie was shot here in Memphis and was directed by Memphis native Keenon Nikita, who was in Craig Brewer's film "The Poor and the Hungry". The Director of Photography was Rod Pitts, another local up and coming filmmaker (http://www.pittstopproductions.com/). I handled sound and lighting and I play Michael, a mentally challenged character. The film centers on the relationship between Keenon's character, Nic Peeples and his daughter, Ashley. It is a heartwarming, touching, funny film made here in Memphis with several Memphis actors. Please support this film. Again, the date is Thursday, March 16 at the Muvico Theatres downtown at Peabody Place. The movie starts at 7:30. There will be an afterparty at Isaac Hayes' immediately following the screening. The cast and crew of Dog Day Entertainment would love to see you there.

Countdown to Just the Two of Us Premiere:
2 Days and Counting!!

Sleep is Overrated: The Exhausting Weekend Wrap-Up

Friday:
Went home at first, but then I went out to TG's to celebrate my friend Eric getting a new gig. Candace, Jamie, and others joined in the fun. My actor friends Joseph B. Smith (Arrogant Dead People, Cowboy's Silver Lining) and Lina Fritsche (Divine Manipulation, upcoming: Curbside Confessions) also came out. I performed "No Diggity" by Blackstreet, "My Life" by Billy Joel, and I assisted Jamie on "Shoop" by Salt'N Pepa. I performed the male rap. I had to bow out early because Saturday was crazy.

Saturday:
Got a haircut around 7 AM. Went back home, chilled out until 10:30 AM. Went to practice for "Waltzing in Memphis" play at 11AM. Got a call that my new time to be an extra on the F/X pilot Southern Comfort was at 2 PM. Ran out of rehearsal, grabbed three different outfit choices, drove out to API Photographers and I was an extra. Ran into Jason Dancy (Imagine, The Survivor) and Learyn (Just the Two of Us, Across the River). We chatted, hung out. Glinda Pannell (Just the Two of Us) was helping out with the production. I also ran into the guy who was Samuel Jackson's stand-in on Black Snake Moan and a guy who was in this play I saw last year, Aida. I was there from 2PM-6PM. I made $60.00. I worked maybe forty-five minutes. I left there, went to City Gear on American Way and bought a Billy Dee Williams T-shirt (Billy Dee's the coolest). Then, I went to Perkins and got my all-you-can-eat catfish on. Got a call from Ennis Newman, he needed a ride to the Iron Mic Coalition show(www.ironmic.net, www.myspace.com/ironmiccoalition). He's a founder, I rolled through, we chilled for a minute, then we rolled to the show. The show was awesome! After the show, we chilled with some more of our friends at Perkins on Poplar. Local singer Lynn Cardona came through and ate with us. (www.cdbaby.com) She was cool. We had a good time. I didn't get home until 4 AM (!), but I enjoyed myself

Sunday:
Got up at 8AM on my own, watched a few TV shows on the old DVR, got up and made it to play rehearsals. They want me to sing a few solo parts on some songs. I'm much more comfortable singing with music and words in front of me (karaoke), but this play is supposed to raise money for journalism scholarships. Gotta help the kids! I rushed home, then I went to Comics and Collectibles, then to this place called Beauty Store in Poplar Plaza. Like most beauty stores that cater to African-Americans, it was run by Asians. That trips me out, but, hey, it's an honest living. I bought me a new brush and ran into my assistant at my day job, Stacie Reynolds. She totally dug my Back to the Future t-shirt (and who doesn't?). Then, I called the drector of Just the Two of Us, Keenon Nikita. I picked up a copy of the official poster and I got this Cd that I let his singing daughter Asley borrow. The poster is..cool. Okay, it's great, but I wanted to see my name. I understand, because I'm barely in it, but I at least thought I'd get a nod for sound and lighting. Oh, well. It's still a cool poster and a cool movie. At least my buddy Jon Sparks (www.jonwsparks.blogspot.com) was listed on the poster. Rod and Keenon sent me out to get food and other items while they handle some "film stuff" We chatted for a minute, then I left, picked up my friend Paul Briggs and watched a wrestling pay-per-view. My girl Denna Greer (What Goes Around) was in attendance. I am very tired today, but, hey, I can't say it wasn't enjoyable. Be easy, readers.

Plug Time!!!

Please come out to the Muvico Theatres on Thursday, March 16 for the premiere screening of "Just the Two of Us". This movie was shot here in Memphis and was directed by Memphis native Keenon Nikita, who was in Craig Brewer's film "The Poor and the Hungry". The Director of Photography was Rod Pitts, another local up and coming filmmaker (http://www.pittstopproductions.com/). I handled sound and lighting and I play Michael, a mentally challenged character. The film centers on the relationship between Keenon's character, Nic Peeples and his daughter, Ashley. It is a heartwarming, touching, funny film made here in Memphis with several Memphis actors. Please support this film. Again, the date is Thursday, March 16 at the Muvico Theatres downtown at Peabody Place. The movie starts at 7:30. There will be an afterparty at Isaac Hayes' immediately following the screening. The cast and crew of Dog Day Entertainment would love to see you there.

Countdown to Just the Two of Us Premiere:
Three Days and Counting!!

March is Markus Seaberry Month!

This may sound arrogant, but March has to be the month of Markus. I didn't plan to have so many projects out, but, hey, it's exposure!

A rundown of my March events:

March 16:

Please come out to the Muvico Theatres on Thursday, March 16 for the premiere screening of "Just the Two of Us". This movie was shot here in Memphis and was directed by Memphis native Keenon Nikita, who was in Craig Brewer's film "The Poor and the Hungry". The Director of Photography was Rod Pitts, another local up and coming filmmaker (www.pittstopproductions.com). I handled sound and lighting and I play Michael, a mentally challenged character. The film centers on the relationship between Keenon's character, Nic Peeples and his daughter, Ashley. It is a heartwarming, touching, funny film made here in Memphis with several Memphis actors. Please support this film. Again, the date is Thursday, March 16 at the Muvico Theatres downtown at Peabody Place. The movie starts at 7:30. There will be an afterparty at Isaac Hayes' immediately following the screening. The cast and crew of Dog Day Pictures would love to see you there.

March 25:

* Saturday March 25 2 p.m. - the First ever LIVE FROM MEMPHIS LIL' FILM FESTIVALLive From Memphis is pleased to present its first ever theme-based, mini-festival LIL' FILM FEST!! "What is Lil' Film Fest?" you ask. Well, there's always something weird, strange, unusual, funny, or at least interesting happening around town, so we figured, Why not turn those happenings into lil' films? This first ever Lil Film Fest theme is: Baptist Hospital Implosion. Visit LIVE FROM MEMPHIS regularly

Location:MeDiA Co-op: 1000 S. Cooper Memphis, TN 38104 901-278-9077 (in the basement of First Congo Prebyterian Church)

I will be in two shorts, Arrogant Dead People, directed by Jon Sparks (www.jonwsparks.blogspot.com), and Imagine, directed by Rod Pitts (www.pittstoproductions.com)

March 27-March 30:

"Divine Manipulation of the Threads" will premiere at Malco's Studio on the Square with a limited run from March 27-30 (two matinees and two evening shows each day). It's by Rusted Sun Productions (http://www.rustedsunfilms.com/), starring Bevan Bell and directed by Anthony Howald.

I play a thug in this one. It's a good film! I plan to be there on March 27 for all the people that want to see the movie with me.

March 31-April 1

The Gridiron Association (www.memphisgridironshow.com) presents their annual political satire production. The title of this year's production is "Waltzing In Memphis". Come for a night of fun-filled political sketches and witty musical numbers. The performances will be at the Al Chymia Shrine Center, 5770 Shelby Oaks Drive, Bartlett, TN 38134

March 31 show admission: $15.00

April 1 show admission: $60.00, which includes:

Cocktails – 6:00 PM
Dinner – 7:00 PM
Show – 8:00 PM

I portray Robert Lipscomb, Mayor Willie Herenton, and Rickey Peete. It should be fun!

Countdown to Just the Two of Us premiere: 7 Days and Counting!

Future Star

I want to take the time to acknowledge Ashley Nikita, daughter of actor/director Keenon Nikita (Poor and Hungry, Just the Two of Us). Ashley is a singer, and the girl can go! I believe that she's performing "Unbreakable" by Alicia Keys at some school today. I let her borrow my copy of Alicia Keys' Unplugged Cd +DVD combo. I believe that she will do well. I love to see young talent begin the journey to fulfill their dreams. Keenon and Ashley are a one-two punch. Keenon can carry a tune as well. Shout out to Ashley, I hope she takes her talent to the highest level.

Karaoke: The Lost Years

Last night, I ventured to Moffat's and chilled with Forrest Pruett (Forty Shades of Blue, Divine Manipulation of the Threads) and Shaun Green (Divine Manipulations, upcoming: Curbside Confessions). I performed "The Corner" by Common. I was the only African-American in the crowd, so I don't think people got it. Common's a great rapper, though (http://www.common-music.com/, http://www.myspace.com/common). Forrest performed "If You Could Only See", and Shaun performed the popular country ditty, "I Should've Been a Cowboy". I also met Shaun's mom, she's way cool. Forrest and I were informed that the rest of our "posse" was at Grand Station on Summer. Forrest and I motored over there in our separate vehicles and met up with Heather Godsey, Joe Smith (Elvis miniseries, Arrogant Dead People) and Lina (Delusions, upcoming: Curbside Confessions). Lina performed Evanescence's "Bring Me to Life". Honestly, I think the lead singer of that band would be jealous if she saw the way Lina rocked it! Forrest did Bon Jovi's "You Give Love a Bad Name". Love the 80s, man! I performed James Blunt's "Beautiful". I felt pretty good about it, and the crowd loved it as well. I joined someone else who was performing "Shoop" by Salt' N Pepa. I attempted to do the male rap, but I couldn't keep up. Hey, it happens. I closed out the night with Joe and myself performing the oft-requested, karaoke classic "Nothin' But a G Thang". That song never gets old! Shout out to Nancy, who worked the karaoke night at Grand Station. Shout out to Ricky at Moffat's, too. Thank you for providing a great release after a day in the rat race (for very little cheese). Be easy, readers.

RIP Gordon Parks

This is a repost from a friend of mine on Myspace. Gordon Parks was a truly talented photographer and filmmaker. This is tragic:

Gordon Parks looked like an artist.With his shock of white hair, grand mustache and seemingly ever-present pipe, Parks was a 20th-century Renaissance man. He worked as a photojournalist, fashion photographer, filmmaker, composer, novelist, poet and painter.

But Parks, who died Tuesday at age 93, was best known for his compassionate yet gritty 1940s documentary photography of the lives of black Americans - first with the post-Depression Farm Services Administration and then with Life magazine. At the same time, he was shooting high fashion for Vogue magazine as a contemporary of the likes of Richard Avedon and Irving Penn.

He also was a film pioneer, becoming the first African-American to direct a film for a major studio in 1969. The Learning Tree, a drama, was based on his 1963 autobiographical novel about growing up in Kansas in the 1920s. He also wrote the script and the score.

In a considerable departure, Parks' next movie was Shaft. The 1971 hit starring Richard Roundtree as hip detective John Shaft is considered a classic of the blaxploitation genre. And it of course featured the catchy theme song by Isaac Hayes, which won an Academy Award. He made several more films, including Shaft sequel Shaft's Big Score.

In 1998, the Parks photographic retrospective Half Past Autumn was mounted and toured the country for years. In 2000, it attracted "flocks" of visitors to the California African American Museum in Los Angeles, says executive director Charmaine Jefferson. A former New York City cultural affairs commissioner and head of the Dance Theatre of Harlem, she says she spent a memorable evening with Parks listening to music he composed for a ballet.

She says he will go down as "one of the great photographers of our time" but also will be remembered for his music, his writing, his films, even his costumes. "He was so multitalented," she says. "He could do it all. And we were so proud of him."

Parks himself was always striving. In a 1998 interview with PBS' Newshour, he said: "My life to me is like sort of a disjointed dream. ... It was a constant effort, a constant feeling that I must not fail, and I still have that. ... There's another horizon out there, one more horizon that you have to make for yourself and let other people discover it."

View a beautiful picture of him: http://www.caaap.org/caaap3page/news3/events/gordenparks90.html

View a beautiful picture by him: http://www.bnwphoto.com/05bnwstudy/composition/images/gordon_parks_01.jpg

Gordon Park's famous works:

Books:

Camera Portraits (1948) (Documentary)
The Learning Tree (1964) (Semi Autobiographical)
A Choice of Weapons (1967) (autobiographical)
Born Black (1970) (Compilation of essays and photographs)
To Smile in Autumn (1979) (autobiographical)
Voices in the Mirror (1990) (autobiographical)
The Sun Stalker (2003) (Biography on J.M.W. Turner)
A Hungry Heart (Nov. 1, 2005) (autobiographical)

Compilations of poetry and photography

Gordon Parks: A Poet and His Camera
Gordon Parks: Whispers of Intimate Things
Gordon Parks: In Love, Moments Without Proper Names
Arias of Silence
Glimpses Toward Infinity
Eyes With Winged Thoughts (released Nov. 1, 2005)

Films

Flavio ( 1961)
Diary of a Harlem Family (1964)
The World of Piri Thomas (1968)
The Learning Tree (1969)
Shaft (1971)
Shaft's Big Score (1972) Director and Composer
The Super Cops (1974)
Leadbelly (1976)
Solomon Northup's Odyssey (1984)

Music

Moments Without Proper Names (1987)
Martin (1989) (ballet about Martin Luther King)
Shaft's Big Score

What do you have to give to the world?

My next Movie Premiere

Please come out to the Muvico Theatres on Thursday, March 16 for the premiere screening of "Just the Two of Us". This movie was shot here in Memphis and was directed by Memphis native Keenon Nikita, who was in Craig Brewer's film "The Poor and the Hungry". The Director of Photography was Rod Pitts, another local up and coming filmmaker (www.pittstopproductions.com). I handled sound and lighting and I play Michael, a mentally challenged character. The film centers on the relationship between Keenon's character, Nic Peeples and his daughter, Ashley. It is a heartwarming, touching, funny film made here in Memphis with several Memphis actors. Please support this film. Again, the date is Thursday, March 16 at the Muvico Theatres downtown at Peabody Place. The movie starts at 7:30. There will be an afterparty at Isaac Hayes' immediately following the screening. The cast and crew of Dog Day Pictures would love to see you there.

Countdown until Markus Seaberry's Next Premiere:
9 Days and Counting

Brokeback Pimpin: My Take on the Oscars

Okay, first of all, this whole movement of getting sickeningly thin is out of control. Jennifer Aniston, Charlize Theron, and, oh, my god, Sandra Bullock looked hungry! I wanted to kidnap them and drop them off at a buffet. I'm not a fan of the anorexic look. If you're skinny, cool. But I cannot really deal with people looking perfectly fine in their first film, then becoming toothpicks with breasts by the fifth film. Also, I was happy for Clooney getting Best Supporting Actor for Syriana. I was a little disappointed that Terrence Howard didn't win for Hustle and Flow, but I'm not shocked. Apparently, Phillip Seymur Hoffman turned in a Best Actor-worthy perfomance in Capote. I'm also not shocked at Reese Witherspoon's win for Best Actress in Walk the Line. It's Reese; everybody love her! She babbled at times during her speech, but it was touching at some points. Not shocked to see Ang Lee get Best Director for Brokeback Mountain, but I was shocked that Crash beat Brokeback Mountain for Best Picture. Dolly Parton's performance of her song from Transamerica was just scary. The heffer looked ghastly! She looked like one of the undead. This is not the buxom Dolly Parton of my youth! That was just traumatic.

Now, let's talk about "the performance": I have long been in denial about Three Six performing "It's Hard Out Here For a Pimp" at the Oscars. It was just too much for me to rationalize. The performance itself was crazy. Taraji P. Henson, an actress who sang the hook in the movie, was in an evening gown singing the hook on stage. I hope it helps her career. I don't think it was a good look for her. I have to admit, Crunchy Black "juking" in the background was mildly entertaining. The dancers were a bit much. They even had somebody who had a "D.Jay" chain placed around his neck. I do believe that was Shabba Doo, who played Ozone in Breakin' and Breakin' 2. It's always good to see him. They had a Caucasian dude up there walking with them, some kinda dancer. I was like, "What is he, the Abercrombie pimp?" Thank you, thank you, I'll be here until this blog is over. Enjoy the veal! Seriously, the performance was just crazy. And then, when Queen Latifah announced them as the winner, I had to walk outside and inspect the night sky so as to ensure that armageddon was not upon us. If this is not Armageddon, this is surely the "End Times", as the good book calls them. Okay, they are the first rap act to perform at the Oscars, and the first Memphis act to get an Oscar since Isaac Hayes won with the "Theme From Shaft". And, in some twisted way, that was an example of "The American Dream". These guys came from humble beginnings, have been a fixture on the Memphis rap scene for several years, got a major-label deal, and kept "hustling". for lack of a better word. They are trailblazers and history makers. John Stewart put it into perspective when he quipped "For those keeping score at home, Martin Scorsese: 0 Oscars, Three Six Mafia:1". Try wrapping your head around that one, people! For that, they should be applauded.

My problem, though, is that this further perpetuates the view of Memphis that was shown by the movie Hustle and Flow. People already have this preconceived view of Memphians as country bumpkins and slow-witted good ol' boys and girls. My city has culture, my city has the arts, my city has several artists who have substance in their lyrics. I can't just ignore the implications of this "crunk" label being stamped on my whole city. We've gone from Rufus Thomas to "Ridin' spinners", from Stax Music to "Sippin' on Sizzurp", from W.C. Handy to "Headbussas", from Booker T and the MGs to "Betcha Won't Hit a MotherFu**er". Okay, my overuse of alliteration aside, I don't like this trend. I can't say I don't enjoy there music, but this is not the be all and end all of my city. Go to Precious Cargo, The Complex, The Hi-Tone, and the Full Moon Cafe on any given night and you're bound to see the variety of musical styles that are performed in my beloved Bluff City.

Some of my friends tried to reassure me that this would "open the floodgates". My question is for whom? More ignorant rappers, playas, and pimps?! I would like to think that the artists who strive to be thought-provoking and creative would benefit, but they probably won't. I think that I and other artists who strive to inspire and give messages in our work will have to work harder. My good buddy, director Rod Pitts (www.pittstopproductions.com), said that he now has at least "two years worth of motivation" after seeing Three Six's Oscar triumph. And, as John Stewart also said, "I think it just got a little easier out here for a pimp". Let's get crunk to that...mane.

Prepping, Rehearsing, and Filming: Yet Another Infamous Weekend Wrap-Up

Friday: Chilled out. Watched the Rize DVD with Director's Commentary. Turned it back in to Blockbuster's before noon. Rented Baadaaass, which is directed by Mario Van Peebles, who portrays his father, Melvin Van Peebles. It is the story of all the obstacles that Melvin Van Peebles encountered while trying to make Sweet Sweetback's Baaadaaasss Song. This movie is considered to be the beginning of the blaxploitation genre: Those 70s movies that had an overabundance of afros, pimps, hos, and jive turkeys giving five on the "blackhand side". For you newer readers, I am a huge blaxploitation fan. I just love the whole funky 70s vibe associated with these films.

Saturday: I had a table read for the new Oddly Buoyant Productions project Eat. We had a table read at McEwen's. A first for me, but enjoyable nonetheless. David Merill, casting director supreme, was in the house, as was the Oddly Buoyant braintrust of Laura Hocking and Chris McCoy. Sarah Ewell (Shutter, Delusions) was in the house, as was Dedrick Bullard, a newcomer on the scene who is quickly making a name for himself. I can be an arrogant mofo, but I have to confess: The man is good! Indie film director Ben Siler (Prom Date) also has a role, which shocked me. Anthony Boco (Last Call Lovin') is also in the film, and I ran into a guy who was an extra with me in Black Snake Moan. I also encountered several Indie Memphis regulars and some new faces. I feel good about this production. Brandon Hutchison, who directed me in Dollars and Signs, is the Director of Photography on this one. BH is always cool to work with.

Later, I joined my friends Denna Greer (What Goes Around) and my good buddy "Angry" Nick Jones as we celebrated their birthday. They were both born on Feb. 28. Way cool, right? Denna's man, upcoming music producer Paul "P.Dub" West, my friends Shomari, Terra, Mario, Paul Briggs, and others joined in our celebration. The party began at Laser Quest. I chose the codename Target (keepin' it real), and, wouldn't you know it, my gun stopped functioning for ten minutes. I finished 17th. At least I wasn't the worse. We played against some little kids. Those little hellions started triple-teaming us! It wasn't pretty. Later, we ate at Cozumel's. I learned that Barbecue Salmon tacos are not my thing. After that, my crew rolled out to the Majestic Theater and watched Dave Chappelle's Block Party. My favorite artists (Mos Def, Talib Kweli, Common, Jill Scott, Erykah Badu, Kanye West, The Roots, a reunited Fugees) and Dave Chappelle's antics? I loved it! Several of the young African-Americans were disappointed. They loudly voiced their disgust, and walked out. My African-American people, let's have a little more dignity in the movie theater. Pretend like you have home training and shut up! I was glad to see the lot of them leave. I waved goodbye/flipped the bird to them, and the continued watching/straining to hear over cellphone conversations. After the movie, we called it a night.

Sunday:
I had another Gridiron Association rehearsal for Waltzing In Memphis. I must be off book by this Saturday. After that, I met up with Keenon Nikita (Poor and Hungry) and Rod Pitts (www.pittstopproductions.com) and shot another scene as Michael, my mentally challenged character from Just the Two of Us. It was a wide shot, no close-ups (BOOO!), but, at least I have a little more screen time. Shoot, I've seen corpses with more screentime than I have in this one. But, my work schedule back then didn't allow for it. Hopefully, my big role is out there somewhere. Then, we watched the Oscars. Three Six Mafia won best song for "It's Hard Out Here For a Pimp", and I looked outside to make sure that meteors wouldn't rain down from the heavens. Maybe that'll open the floodgates and some of the more intelligent rappers in my city could slide through. Or, maybe Hades will freeze over. I don't know about that one. It seemed surreal. Stay tuned for my view of the Oscars. Be easy, readers.

Karaoke: The New Beginning

Last night, I ventured to Flashback's. I was joined by Forrest Pruett (Forty Shades of Blue, Behind the Eight), Candace, and our good buddy Adam. It was cool. I performed "Power of Love" by Huey Lewis and the News. During the musical break I said, "Back to the Future rules!" Well, it does. Forrest performed "You Give Love a Bad Name" by Bon Jovi and "Figured You Out" by Nickelback. I also performed "No Such Thing" by John Mayer. Dana Hinkle once told me that he was too white even for her (she's Caucasian), but I think he rules! That song is very honest. I don't know, the crowds at Flashback's aren't receptive anymore. I know I have songs that could get them hype, but I feel like singing new stuff. It was a quick night. Also, the ladies of the Gold Club stopped by. They were very, um, "affectionate" with each other and "bared" parts of their upper body. My mom reads this blog, so I am trying to be tasteful. I'm not Catholic, but after some of the stuff I saw last night, I need confession, about 10 Our Fathers and 5 Hail Marys. Et spiritu Sancti, indeed.

Tonight, I plan to chill and finish watching Rize because it has to be back at Blockbuster by midnight. Those dance moves are crazy! I've been a sucker for good choreography since Fame. Be easy, readers.

Karaoke:This Time It's Personal

Yet another night of karaoke hijinks took place last night. Joining me in the mirth and merriment were Josph Smith (Almost Made, Delusions), (Lina Fritsche (Slow Down You're Dating Too Fast, Divine Manipulation of the Threads), Forrest Pruett (Forty Shades of Blue, Divine Manipulation), Sarah Ewell (Shutter, Just the Two of Us), Candace, super photographer Janeen Gardner, and other friends. I started off with John Legend's "Ordinary People". It was okay. I was a little "pitchy". Lina performed "Adia" and rocked it. She also did Evanescence's "Bring Me to Life" and "Bette Davis Eyes". On my next go round, Joe and I performed the oft-requested, always classic "Nuttin' But a G Thang". I was in rare form last night, in my humble opinion. We brought it! Later, Joe requested that everyone do Elvis songs, which somehow became ME doing an Elvis song. My "Heartbreak Hotel" was pretty decent. Forrest did Queensryche's "Silent Lucidity". I was a never a big Queensryche fan, but that song has some pretty cool lyrics. Joe also informed me that based on my recommendation, he and Lina watched Cornbread, Earl and Me. Those who know me, know that this is my favorite movie. You should rent, steal, or perhaps buy this movie. I know that it was $9.99 at most Kroger stores a few years ago. It's a heartwarming film with blaxploitation elements. I know that sound like an oxymoron, but it's good! Trust me, I know these things. Also, Sarah Ewell informed me that she was "stout". I'm inclined to agree. Too much fun. I was sad it had to end, but a brother has to be up for his day job. For now. Be easy, readers.

Pimpin' at the Oscars

Okay, for those of you who don't know, Three Six Mafia will be performing "It's Hard Out Here For a Pimp" on the Academy Awards. It's nominated for best song. They are performing the song because they wrote it, and because Terrence Howard claims that he cannot get his horrible accent back in time. Three Six promise to make it squeaky clean. I don't mean to hate, but I don't know if I want them on the Oscars. I can barely wrap my head around that statement. It just doesn't seem right. Three Six...on the Oscars? Wow! Great, now my city will be permanently known as the land of Crunk. I am not pleased with this image for my city. We do not all ride around on spinner tires sippin' sizzurp (codeine mixed with cough syrup), and we are not all obsessed with "bling bling". That crap makes it look like the African-Americans in my city are all materialistic, simple-minded bumpkins. That's crap! If anything, this lets me know that I have to continue to support the filmmakers like Keenon Nikita, Rod Pitts (www.pittstopproductions.com), and others who show the other side of Memphis. This is not to say that side of Memphis doesn't exist, but that is not my Memphis. Memphis is as rich and culturally diverse as any other great metropolitan city. We have the artist's hangouts (Midtown), The poetry spots (Precious Cargo, Java Cabana, and Java, Juice and Jazz) and venues that encourage and support artists who may not get radio play (Full Moon Club, Hi-Tone, The Complex). It is my fervent hope that this side of our city can be shown. To those who share in my outrage, support your local musicians and support local movies that show other sides of the city. The most I can hope for is some kind of balance, if not on the radio, then at least at the movie theatre. Be easy, readers.